film: Carl Theodor Dreyer's The Passion of Joan of Arc 1928












Looking at the use of close up and high contrast shots
Almost all the shots in the film are compromised of close up facial shots - expression mutating naturally - close up shots of lips speaking etc.
Scenes take place in very similar, blank setting - focus is on emotion/facial expression
Facial expression/high contrast imagery especially important as the film is silent and therefore all emotion must be conveyed through the face alone - heightened emotional responses
A few dialogue inserts to convey plot